Founded in 1984 by Stephen Rwangyezi, this cultural and drama organization has played an invaluable role in reviving and promoting African heritage through the lens of our own people. Ndere has not only showcased Uganda’s rich culture on the world stage but has also merged tourism with culture, significantly enhancing our national identity and economy.
However, Ndere now faces a dire financial crisis that threatens its very existence. With a debt of Shs 10.5 billion owed to Uganda Development Bank, the troupe has been unable to meet its obligations, largely due to the devastating impacts of the Covid-19 pandemic.
Their plea for loan restructuring has fallen on deaf ears as the bank insists on an immediate payment of Shs 3.5 billion to negotiate any favorable terms.
This demand is not just unreasonable; it is impossible for Ndere to meet without risking its cultural center—an asset that has become a beacon of hope and employment for many talented Ugandans.
The importance of Ndere Troupe cannot be overstated. It has provided employment to countless individuals, many of whom were at risk of falling into poverty.
By nurturing unique talents and showcasing them through performances, Ndere has enriched our cultural landscape and contributed to the social fabric of our society. The government’s past interventions to rescue private organizations facing financial distress, such as Roko Construction, highlight a precedent that should be followed in this case.
It is time for the government to step in and rescue Ndere Troupe. A strategic public-private partnership could be a viable solution. The government could consider taking a temporary stake in Ndere, ensuring that this cultural gem remains intact while also safeguarding the interests of UDB.
An investor could also be sought who understands the value of Ndere and can help stabilize its finances without sacrificing its mission. Let us not allow Ndere to be crushed by the auctioneer’s hammer.
This is not just about saving a cultural organization; it is about preserving a vital part of our heritage and ensuring that the arts continue to thrive in Uganda.
Ndere Troupe has done much of the work that should fall to the government—promoting culture, enhancing tourism, and creating jobs. Now, it is our turn to support them in their time of need.
The government must act swiftly to protect Ndere Troupe and, in doing so, protect the very essence of what it means to be Ugandan. We cannot afford to lose such an important institution. Ndere must be saved for the generations to come.
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